Bio

Elsa 
Grégoire 
studied
 for 
three 
years 
at
 the 
Koninklijk 
Conservatorium 
Brussel 
with
 David
 Linx.
 She
 is 
also a
 cellist,
 instrument
 she
 learned
 with
 Jean
 Pol
 Zanutel
 at
 the
 Conservatoire
 de
 Liège.
 She
 participated
 to
 many workshops
 with
 artists
 such
 as
 Michael
 Blake,
 Scott
 Colley,
 Tim
 Berne
 and
 Bill
 Carrothers.
 After
 a
 year
 of studies
 at
 the
 CNSM
 of
 Paris,
 she
 moved
 to
 Leipzig.
 There
 she
 is
 developing
 different
 musical
 projects.
 Elsa
 is now
 finishing 
her
 studies 
at 
the 
Hochschule
 für
 Musik 
Dresden.

After 
studying 
in 
New
 York 
with 
Gloria 
Cooper, 
François 
Vaiana
 graduated
 with
 a 
masters
 degree 
at 
the
 Koninklijk
 Conservatorium 
Brussel
s with 
David 
Linx
 as 
a
 vocal 
instructor.
 He 
was 
awarded 
an 
Erasmus 
grant 
and
 spent
 a 
year 
in 
Paris 
at 
the
 Conservatoire 
National
 Supérieur 
de
 Musique.
 François 
was
 a 
finalist 
at 
the 
first
 Brussels
 Young
 Singers
 Jazz
 Competition
 and
 is
 the 
founding 
member 
of 
the 
trio 
Blue
 Monday 
People. 
He 
is 
also
 part 
of 
the 
Belgian 
Hip
 Hop 
scene
 as 
he 
writes 
and
 composes
 for 
artists
 such
 as 
Pitcho
or 
the 
Heritage 
project,
 a 
compilation
 with
 the
 Bozar
 and
 the 
Central 
African
 Museum 
in
 Tervuren
as 
collaborators.

Anu
 Junnonen graduated
 in
 2004
 at
 The
 Roayal
 Conservatory
 of
 Brussels
 where
 she
 studied
 with
 David
 Linx.
 Her
 group
 aNoo
 released
 meanwhile
 two
 albums
 and
 Anu
 has
 been
 guest
 on
 albums
 by
 Fabrizio
 Cassol,
 Guillaume
 Ledent
 and
 Gil
 Mortio.
 She
 toured
 in
 Germany
 with
 The
 Screaming
 Bitches,
 in
 Norway
 with
 The
 Caribous
 and
 in
 Belgium
 with
 Derroll’s
 Dream.
 Anu
 also
 works
 with
 electronic
 devices,
 a
 medium
 she
 uses
 to
 compose
 for
 the band 
Northface.
She
 teaches 
jazz
 singing
 at 
the 
Conservatory
 of 
Ghent.

Jonas
 Cole
 graduated
 from
 the
 Koninklijk
 Conservatorium
 Gent
 where
 he
 studied
 with
 Sofie
 Verbruggen
 and
 Kristen
 Cornwell.
 He
 gained
 lots
 of
 experiences
 participating
 in
 different
 projects
 such
 as
 The
 Pony 
Express
,
 Mongoose
, 
Detroit
 59,
 Rocco
 &
 Dagmara
 and 
Tatyana 
Storm.
 He 
is 
currently 
working
 on 
his 
solo
 project
 by
 composing
 and
 arranging
 his
 own
 tunes.
 In
 order
 to
 deepen
 his
 teaching
 skills,
 Jonas
 followed
 an
 intensive
 workshop
 for
 four
 months
 in
 2010
 with
 Cathrine
 Sadolin
 at
 the
 Complete
 Vocal
 Institute
 in
 Copenhagen.

Frédérike
 Borsarello-Trésallet is
 specialized
 in
 contemporary
 singing
 and
 is
 involved
 in
 many
 different
 styles
 of
 music.
 She’s
 always
 looking
 to
 expand
 her
 experiences
 and
 doing
 that
 she
 worked
 with
 Valérie
 Philippin,
 Walter
 Thompson,
 Laurence
 Saltiel
 and
 Scott
 Alan
 Prouty.
 Frédérike
 is
 currently
 teaching
 at
 the
 Conservatoire
 à
 Rayonnement
 Régional
 de
 Saint
 Maur
 des
 Fossées
 and Institut des Siences Politiques in
 Paris.
 She
 performs
 regularly
 in
 différent
 Parisian
 venues
 and
 festivals
 such
 as
 the
 Festival
 of Junas 
with 
Paolo 
Fresu
 and
 the 
Festival 
Présences 
with
 Musicatreize.

Gilles Wiernik has been living and studying voice in Brussels, Paris and New York. He sang in operas such as “Hygiène de l’Assassin”,  “Les Amours de Ragonde” at Printemps Baroque du Sablon, “La Bohème” at Lyric Theater of New York and “Persée” at Festival Baroque d’Ambronay. Gilles also acts and sang roles such as “Le Malade Imaginaire” at Théâtre Jean VILAR and Cirque Royal, “Songe d’une Nuit d’Eté” at Théâtre National de Belgique. Gilles collaborates with Garrett List and sang a solo part of his work “Etat de Siège”, a Théâtre National de Belgique creation. He toured with a vocal group WAPPA Tonic in South America in 2012. Together with pianist Céline Lory he created “In Touch With Winterreise”, a Schubert piece. In 2012 Gilles joined Brussels Vocal Project.

Fred Braye begins his career as a sound engineer after graduating at the IAD (Louvain La-Neuve, Belgium) in 1994. He works first in the domain of live mixing for concerts.
A few years later, he starts recording and mixing for studio productions. His artistic career appears with his first compositions – fritkot, a project based on sampling of vinyls. Since 2000 he attends several classes of electroacoustic composition in France and in Belgium.
His interest for music and technologies brings him to the exploration of interactive technologies. He learns the use of sensors and programming with Max (workshops IRCAM, GMEM, Musique & Recherches, Interface-Z). Since 2007 he develops his own work as a sound artist, creating sound installations or interactive devices like zebra4 and modò.