BIO

THE COLLECTIVE

François Vaiana

François Vaiana, a baritone singer based in Brussels, Belgium, leads several musical ensembles on the Brussels scene. His latest solo project, nino_uncut, showcases his talents as a vocalist, lyricist, composer, and beat maker. His EP "Pills and Water" is available under this pseudonym. Within the Brussels Vocal Project, François collaborates with renowned artists such as John Hollenbeck, Fabrizio Cassol, the Brussels Jazz Orchestra, and Alain Platel, exploring the infinite possibilities of vocal ensembles. Blue Monday People, his Jazz-Rock band, has toured in Belgium and abroad. François also participates as a guest singer in projects by his peers like Ine Claes, Yves Peeters, Pierre Vaiana, Fabrice Alleman, and Todor Todorov. He is recognized for his songwriting talents, having written for various artists. As an experienced teacher, François teaches voice at the Cours Florent in Brussels and has been teaching since 2006 in Belgium and abroad. He earned a master's degree with great distinction from the Koninklijk Conservatorium van Brussels, after studying in New York and at the Jazz Studio in Antwerp. François is also actively involved in societal projects, co-founding the HIVisible Belgium collective, which aims to raise awareness about HIV/AIDS. He organized the first Belgian festival of performances related to HIV/AIDS in collaboration with the Antwerp's Queer Arts Festival. Additionally, he holds the position of artistic coordinator at each edition of the Zinneke Parade.

Anu Junnonen

Coming out of a musical family Anu started singing before speaking according to her mom. In her teens she sang in her hometown choirs, played piano, saxophone and flute. Anu’s musical expression is rooted in jazz. In 1999 she came to Belgium to study at the Royal Conservatory of Brussels, where she also formed her first band called aNoo that mixed jazz and folk influences in an original line-up including voice, accordeon, and trombone. In 2007 she released her first album ‘The Luckless Lands Of the North’. In 2011 followed ‘Sinipiika’, which she made together with the producer Werner Pensaert (K’s Choice, Clouseau, Jef Neve). But as the two albums she recorded with that band would prove, Anu was far from being a jazz purist. The singer became more and more intrigued by samples and digital beats. This new fascination resulted in ‘Skeletons’ (2014), the first of her records on which she herself was calling the shots. The EP ‘Open Your Window’ (2018) was produced by Koen Gisen (cf. Dans Dans, Robbing Millions etc). Her latest album ‘Komeetta’ (2023) is the culmination of 5 years of sharing the stage as a trio. Now singing in Finnish and in English, her fourth studio album ‘Komeetta’ is bringing her closer to her origins. The musical material now being more stripped and sober, which creates an intimate path towards the public. The mix between the Finnish heritage and Anu’s Belgian experience gives her an instantly recognisable sound, a sound of her own. Komeetta is recorded in Antwerp at the Caporal studio by Nicolas Rombouts and the album is mixed and produced by Gil Mortio and Anu at the Marcel Delcourt studio in Brussels. Since 2011 Anu is also a co- leader of Brussels Vocal Project, a contemporary vocal collective that mainly perform newly composed material through collaborations with different singers and composers. Anu has been performing in various venues and festivals in Belgium and abroad. With her groups she toured in Germany, Finland, Norway, China and Morocco. Anu is also a devoted teacher and is currently teaching at The Conservatory of Ghent and the music academy of Jette. She is regularly invited to teach workshops of jazz, folk or a capella singing.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

Sarah Klenes

After making her professional debut as a corps de ballet at the Royal Ballet of Flanders in Antwerp, Sarah Klenes (1983) studied jazz singing at the conservatories of Leuven (with a.o. Natacha Roth, Bart Van Caenegem, Pierre Van Dormael), in Brussels (with a.o. David Linx, Kris Defoort) and in Paris (with a.o. Dré Pallemaerts, Riccardo Del Fra). Since 2005, she has taken part in a wide range of projects, from jazz to folk/pop (in a trio with Gabor Gado & Laurent Blondiau, OakTree with cellist Annemie Osborne and accordionist Thibault Dille, HowTown Lennart Heyndels's Belgian-Latvian quintet); to contemporary jazz with the Brussels Vocal Project(Modern Tales), to street art in Les Superluettes (with Géraldine Cozier). She evolves at the confluence of singing, dance and performance in projects combining writing and improvisation, with a.o The Sea Within (contemporary dance by Lisbeth Gruwez-Voetvolk), M•Ondes by choreographer Marielle Morales, the performance series ECOUTE, ...ENTRE..., La Traversée des sons with e.a. poet Catherine Barsics. In parallel, she is developing a pedagogy combining voice and movement and accompanies singers, actors and dancers in creative processes and advanced training. She’s continuing training courses in rhythm (Michel Debrulle, Arnould Massart), Taketina (Tania Bosac, Baptiste Vaes), music with Fabrizio Cassol, dance with Marielle Morales, Body Mind Centering (Satu Palonga, Laurence Chevallier), Feldenkrais voice-method (Catherine Delasalle). Sarah is a freely eclectic artist who loves improvisation and encounters. Her approach is nourished by her passion for movement in space and sound, in the field of e-motions.

BACK TO ABOUT